| Year | Event, situation, or publication |
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| 1517 | France begins enslaving black Africans |
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| 1636 | Martinique colonized by Louis XIII - the first black slaves arrive |
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| 1665 | Le Code noir, by Jean-Baptiste Colbert (French chief financial minister) - Rulebook for the treatment of slaves |
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| 1789 | French Revolution - Major themes include the rights of man, the issue of slavery. |
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| 1804 | Haiti is the first French colony to gain independence |
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| 1823 | Ourika, by Mme de Duras (wife of Louis XVIII's chamberlain) - The first French-language novel to address the effects of racism on black people. |
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| 1848 | Victor Schoelscher (French under-secretary) abolishes slavery in the colonies |
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| 1919 | Harlem Renaissance (US) - Césaire and Damas were greatly inspired by this valuation of the culture, literature, art, and music of the black world, notably · W.E.B. Du Bois, The Souls of Black Folk · Langston Hughes, The Collected Poems of Langston Hughes · Alain Leroy Locke, The New Negro · Claude McKay, Banjo, Home to Harlem |
| 1921 | Negrismo (Cuba) - Celebration of black-Cuban music, rhythm, folklore, literature, poetry, and art |
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| 1927 | Journal: La Revue Indigène, by Jacques Roumain - Attempt to rediscover a black African authenticity in the Antilles |
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| 1930 | Book of poetry: Pigments, by Damas - Sometimes referred to as the manifesto of Négritude. General theme of demystification: we need to cure the ills of Western society. Some highlights: · Ils sont venus ce soir The night white man arrived and kidnapped Africans for slavery, many people were killed - we don't even know how many. · Un Clochard m'a demandé 10 sous Damas once had to beg for money, but pride helped him to grow strong enough to earn it instead. · Solde Whites are pretentious and ridiculous, never mind cruel, yet Blacks have to be their accomplices. · S.O.S. Why and how on earth did Whites decide to steal Blacks and to commit such Hitleresque acts? · Blanchi Whites try to bleach us, but we want only to be black. |
| 1931 | The trois pères meet in Paris and begin discussing and dreaming about Négritude. Journal: La Revue du monde noir (The Journal of the Black World), by Paulette Nardal and Dr. Sajoux. In addition to disseminating ideas via the journal, this collaboration led to a kind of club where black writers could meet to discuss related issues. |
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| 1932 | Journal: Légitime défense - A single issue of a Marxist, revolutionary, surrealist journal published by a group of Martinican students and immediately suppressed. |
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| 1934 | Journal: L'Étudiant noir (The Black Student), by the three fathers - Break down nationalistic barriers among black people; recognize, approach, and unify black people in Africa, France, and the Antilles. This was the first and most important political and cultural journal of la Négritude. |
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| 1935 | Birth of la Négritude - Seek out richness and originality, rehabilitate that which had been marginalized. Already independent, Haiti isn't interested in participating. |
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| 1938 | Journal: Les Griots, by François Duvalier - Contributions of black African civilization |
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| 1939 | Poem: Cahier d'un retour au pays natal (Notebook of a Return to My Native Land), by Césaire - The word Négritude appears for the first time in this poem about being black and living in the Antilles. |
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| 1941 | Journal: Tropiques, by Aimé and Suzanne Césaire - Refusal of European culture |
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| 1944 | Gouverneurs de la rosée, by Jacques Roumain - Two basic tenets: 1) Humans are responsible for their own lives - we need to act. 2) Community is more important than self |
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| 1946 | Creation of four Départements d'outre-mer (DOM), in which citizens are citizens of France - thanks to Aimé Césaire, French National Assembly member. Et Les Chiens se taisent, Césaire |
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| 1947 | Journal: Présence africaine, by Alioune Diop, with assistance from Senghor, Césaire, André Gide, Jean-Paul Sartre, Albert Camus, and others. Dissemination of the ideas and words of black writers |
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| 1948 | L'Anthologie d'un nouvelle poésie nègre et malgache de langue française(Anthology of a New Negro and Madagascan French-Language Poetry), by Senghor. The preface, Orphée noire (Black Orpheus), was written by Jean-Paul Sartre, who defined Negritude as the "négation de la négation de l'homme noir," and includes a discussion of Négritude issues. This work represents the official birth of black-African literature. |
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| 1950 | Novel: Rue Cases Nègres, by Josephe Zobel (see details at 1983) |
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| 1952 | Peau noire, masques blancs (Black Skin, White Masks), by Frantz Fanon · Study of the human consequences of colonialism and racism · Portrait of black man in the Antilles: Victim of color prejudice and an internalized inferiority complex · Decolonisation of language: Black man is drowning in white man's identity. We need to speak a language that belongs to us, not them. Alienation of black man - identity crisis. · Liberate black man from himself. |
| 1953 | Essay: Le Discours sur le colonialisme, Césaire · Colonialism is a form of racism · Blacks live in harmony with the earth, rather than trying to dominate it; the link between everything that exists in nature · Christianism is considered civilization, while paganism is linked to savagery · Political undertones |
| 1956 | 1st Colloquium of Black Arts, in Paris La Lettre à Maurice Thorez (Letter to the Secretary General of the Communist Party), by Césaire - The author's official break with the Communist Party, in his new quest to found a sort of African socialism. |
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| 1959 | 2nd Colloquium, in Rome |
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| 1960 | Decolonisation of Africa begins |
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| 1960s | Criticism of la Négritude begins Césaire shifts his efforts to theater, hoping to be in closer contact with the public. His plays show an orientation toward the future and a stronger political aspect than his earlier work. |
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| 1961 | Les Damnés de la Terre (The Wretched of the Earth), by Frantz Fanon, preface by Sartre · Political: Study of the Algerian revolution. How to be independent after being dependent for so long? How to transform from a dominated country to an economically free country? · Black man should not wait for them to give him independence; he should seize it for himself. · Violence is therapeutic. · First let's find political solutions, then we'll worry about appreciation of our black culture. · Targeted at the Antilles bourgeoisie - Mulattos took power from Whites simply in order to have it for themselves. |
| 1963 | Play: La Tragédie du Roi Christophe, by Aimé Césaire |
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| 1966 | 3rd Colloquium, in Dakar, at which Senghor's ideas are criticized Une Saison au Congo, Césaire |
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| 1968 | Une Tempête (original adaptation of Shakespeare's The Tempest), by Césaire - The creative force of words: they can change and even remake the world |
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| 1983 | Movie: Rue Cases Nègres (Sugar Cane Alley, Black Shack Alley) - written by Josephe Zobel, directed by E. Palcy. (Shows: Colonization and the school system are supported by religion; Importance of the plantation economy; School is a threat to family life for some, and the only escape for others; Oral tradition + school = total education; Creole language; Social classes; Pride and shame in being black; a Colonist who does not recognize his mulatto son as black or white: doesn't allow him to play with black children, yet refuses to give him his family name; Fascination about France; Legitimization of Africa |
| 2005 | Aimé Césaire refused to receive Nicolas Sarkozy (then French Interior Minister) in protest of articles 3 and 4 of a law that claimed colonization was a good thing. Césaire did receive him a year later, in return for which Sarkozy renamed Fort-de-France's airport after him. |
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| 2008 | Aimé Césaire's life and death are celebrated and mourned, respectively, around the world. |